偏斜的小面

時光隧道水晶和窗水晶很接近。

兩者都在晶冠與柱體交界附近，出現一個額外的小晶面。

真正把它們分開的，是那個面的形狀。

窗水晶的面較接近端正的菱形。

而 Time Link Crystal｜時光隧道水晶 的小面，則明顯向一側偏斜，形成一個平行四邊形。

它不像一扇正對觀看者的窗。

更像一扇被推向某個方向的門。

在現代大師水晶的辨識系統裡，這個偏斜的平行四邊形就是 Time Link 最重要的形態特徵；一些系統也把它稱作第七晶面，並與 Window Crystal 放在相近的位置一起討論。

因此，辨識時真正需要注意的並不是「這裡有沒有一個小面」。

而是：

這個面往哪裡傾斜。

當窗開始偏向一側，

New Age 的閱讀也開始把「方向」放了進來。

—

The slanted face

The Time Link Crystal stands very close to the Window Crystal.

Both display an additional face near the junction between the termination and the body of the quartz.

What separates them is the geometry of that face.

The Window tends toward an upright diamond.

The additional face of a Time Link Crystal, by contrast, visibly leans to one side, taking the form of a parallelogram.

It does not resemble a window facing the observer directly.

It is closer to a doorway already turning toward a direction.

Within contemporary Master Crystal systems, this slanted parallelogram is the defining feature of the Time Link. Some traditions describe it as an additional seventh face and place it beside the Window Crystal within the same family of forms.

The important question, then, is not simply whether an extra face exists.

It is:

which way does it lean?

Once the window begins to incline,

New Age interpretation begins to place time within its direction.

---

左邊是過去，右邊是未來

在許多後來的水晶療癒資料裡，時光隧道被分成兩個方向：

向左傾斜，連向過去。

向右傾斜，連向未來。

Judy Hall 的水晶分類也採取這種區分：左傾的 Time Link 被稱為 Regression，與過去、過往生命和回溯連在一起；右傾則被稱為 Progression，指向未來與尚未展開的可能。

於是，一個原本只是偏斜的小晶面，

開始得到時間的方向。

向左的人，回望。

有人藉著它進入過去的記憶，也有人把它放進前世、祖先與尚未被理解的舊經驗裡。

向右的人，向前。

它被用來凝視未來、選擇與尚未成形的道路，像是在現在與「可能成為的自己」之間建立一條連線。

但這套左右關係並不是所有水晶作者唯一一致的語言。

在部分與 Katrina Raphaell 傳統相關的資料裡，同樣的平行四邊形也會被放進 Activation Crystal｜啟動水晶 的系統，左右方向因而得到其他象徵與用途。

所以真正穩定的辨識，始終還是那個偏斜的平行四邊形。

至於「左是什麼、右是什麼」，

則已經進入 New Age 不同作者建立的閱讀世界。

方向是形態。

時間，是人後來放進方向裡的意義。

—

Left toward the past, right toward the future

In many later crystal-healing systems, the Time Link is divided into two directions:

leaning left, toward the past.

leaning right, toward the future.

Judy Hall uses this distinction as well: the left-inclined Time Link becomes a form of Regression, associated with the past, previous lives, and looking backward; the right-inclined form becomes Progression, pointing toward the future and possibilities not yet unfolded.

An originally simple slanted face

thus acquires a direction in time.

To the left, one looks back.

Some practitioners use it in reflection upon memory; others place it within the language of past lives, ancestry, and experiences that have not yet been fully understood.

To the right, one looks forward.

It becomes associated with future possibilities, choices, and paths still taking shape — as though the crystal could mark a line between the present self and the self one might yet become.

But this left-and-right symbolism is not perfectly uniform across every crystal author.

Within some traditions associated with Katrina Raphaell, the same parallelogram also enters the system of Activation Crystals, where left and right can acquire additional meanings and uses.

The most stable point of identification therefore remains the slanted parallelogram itself.

What “left” and “right” mean

belongs to the interpretive world built around it.

Direction belongs to form.

Time is the meaning that people placed within that direction.

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如果時間不是一條直線

Time Link 最迷人的地方，也許不是「看見未來」或「回到過去」。

而是它背後那個很 New Age 的想法：

時間未必只是一條從昨天走向明天的直線。

在 Katrina Raphaell 相關的水晶傳統裡，Time Link 的平行四邊形被描述成一座橋，用來連結存在於不同時間與位置中的自己；過去與未來因此不只是兩個遠方，而像是仍然可以被意識重新接近的部分。

這也是「時光隧道」這個中文名稱很迷人的地方。

它比「時間連結」多了一點空間感。

像晶體表面真的開出了一條斜斜的入口。

入口的這邊是現在。

另一邊可能是記憶。

可能是尚未發生的想像。

也可能只是人在冥想中，重新觀看自己曾經走過與準備走向的方向。

New Age 把一個偏斜的晶面，

讀成了時間並不封閉的證明。

過去沒有完全消失。

未來也並非完全不存在。

而現在，

只是我們暫時站立的位置。

於是那個小小的平行四邊形，

不再只是一扇窗。

窗只是讓人看見。

Time Link 則讓人想像：也許可以穿過去。

—

If time is not a straight line

Perhaps the most compelling idea within the Time Link is not simply “seeing the future” or “returning to the past.”

It is the distinctly New Age idea beneath them:

perhaps time is not only a straight line moving from yesterday toward tomorrow.

Within crystal traditions associated with Katrina Raphaell, the parallelogram of the Time Link has been described as a bridge connecting aspects of the self existing in other times and places. Past and future become not merely distant points, but parts of existence that consciousness may attempt to approach again.

This is also what makes the Chinese name “Time Tunnel” so evocative.

It gives the Time Link a sense of space.

As though a slanted opening had appeared upon the surface of quartz.

On this side is the present.

On the other may be memory.

A future imagined but not yet lived.

Or simply a moment in meditation when a person looks again at where they have been and where they may be going.

New Age culture looked at a slanted crystal face

and read it as a sign that time might not be closed.

The past has not entirely vanished.

The future is not entirely absent.

And the present

is simply where we happen to be standing.

The small parallelogram therefore becomes more than a window.

A window allows us to see.

A Time Link invites us to imagine that we might pass through.